Included Overlays
These are first-party authored blocks. Their Catalog poster/video assets are
previews only; the installed result is editable composition source.
Unlike Color Grading and
Media Effects, overlays are real HTML, CSS, and paused
GSAP timelines installed from the HyperFrames Registry. Their final paint order
follows authored track placement and CSS
z-index.
Quick Start
- Studio
- Agent / CLI
1
Select the media beat
Select the
<video> or <img> the overlay should accompany.2
Insert an overlay
Open Overlays in the Design panel and choose a preview card. Studio
installs the composition source and aligns it to the selected beat.
3
Edit and verify
Use Layers, Timeline, Design, or Code to change content, timing, color,
animation, or placement, then play through the entrance and exit.
Agent Guidance
An agent may combine grading, a shader effect, treatment animation, and an overlay when they support one coherent intent. A restrained camcorder treatment can combine a small source correction, tape damage on the media, thecamcorder-hud block, and a finite reveal or exit timed to the edit.
Use these constraints:
- Use an overlay when it adds information, motivated light, or useful visual language.
- Keep text and HUD fields editable.
- Align finite overlays to a deliberate beat rather than leaving them active for the entire video.
- Avoid adding decorative overlays automatically to accuracy-sensitive, brand-sensitive, or deliberately clean footage.
- Verify that the overlay does not obscure captions, faces, product UI, or essential content.
Choosing the Right Overlay
Camcorder HUD
Use for creator-camera, home-video, recording, or found-footage language. The counter is timeline-driven and the REC behavior is deterministic. Edit the date/label placeholders instead of rendering arbitrary timestamp text into the source media.Editorial Flash
Use as a short cut accent or social reveal. It is finite by design and should land on a motivated edit, capture, pose, or beat. It is not a permanent glow or a replacement for shader Bloom.Organic Light Leak
Use sparingly for memory, warmth, film-language transitions, or a motivated light event. It is a CSS/GSAP overlay rather than a LUT and does not permanently change source color.Freeze-Frame Dressing
Use with a held frame or a subject cutout. The block provides paper, tape, and flash dressing; it does not perform background removal itself. For a transparent subject:Terminal
How Overlays Combine with Pixel Treatments
The compositing model is:Editing and Reuse
Registry overlays are copied into the project rather than fetched at render time. This keeps rendering deterministic and lets teams:- Change the HTML and CSS.
- Replace labels and colors.
- Retune the paused GSAP timeline.
- Reuse the block across multiple compositions.
- Remove it without changing the media’s
data-color-gradingpayload.
Next Steps
Color Grading
Correct and grade source media before adding visual dressing.
Media Effects
Apply shader-based optical, retro, print, and art treatments.
Remove Background
Create transparent subject layers and paired background plates.
Keyframes
Edit deterministic overlay and host animation in Studio.