Color Grading - HyperFrames

HyperFrames Studio can color grade project-local <video> and <img> media directly in the preview. The same data-color-grading settings are used by the render pipeline, so the exported video should match the look you preview. This is a lightweight media color tool for generated videos, uploaded footage, social variants, and agent-authored compositions. It is not a DaVinci Resolve, Premiere, ACES, or OCIO finishing pipeline.

What Is New

Capability	Status	Notes
Studio Color Grading panel	Supported	Appears on selected `<video>` and `<img>` elements.
Manual controls	Supported	Exposure, contrast, highlights, shadows, white point, black point, warmth, tint, vibrance, saturation.
Presets	Supported	Named HyperFrames presets backed by shader settings, not bundled third-party LUT packs.
Custom LUT upload	Supported	Project-local 3D `.cube` LUT files with strength control.
Finishing	Supported	Vignette and grain, with advanced settings behind the settings icon.
Effects	Supported	Blur and pixelate on the selected media surface.
Before preview	Supported	Hold the compare button to temporarily show the ungraded media.
Render parity	Supported	The render pipeline redraws the color-grading shader after video-frame injection.

Studio labels whites, blacks, and temperature as White Point, Black Point, and Warmth. Use the JSON keys shown in the data shape when authoring data-color-grading by hand or through an agent.

Support Matrix

Source / workflow	Supported?	What to expect
1080p SDR video	Yes	Best default path. Good for most uploaded/generated MP4/WebM/MOV media that browsers can decode.
4K SDR video	Yes	Works when the browser and machine can decode it. Preview/render cost is higher. A 4K source only produces 4K output when the composition/render is also 4K.
1080p / 4K images	Yes	Works on normal project-local images. Output resolution follows the element/composition render size, not hidden extra detail beyond that size.
iPhone SDR video	Yes	Treat as normal SDR media when it is tagged/decoded as SDR.
iPhone HDR / HLG / Dolby Vision-style uploads	Partial	The media can be loaded if browser/FFmpeg support the file, and Studio warns when HDR metadata is detected. The live Color Grading shader is still an SDR preview path, not true HDR grading. Use the existing HDR Rendering pipeline for HDR delivery and verify the output.
HDR render output	Related, not new	HyperFrames already has HDR render support. Color Grading does not yet provide HDR-aware grading controls.
LOG camera footage	Partial	Sliders and LUTs can be applied, but HyperFrames does not auto-detect camera LOG profiles or apply ACES/OCIO input transforms. Use a matching conversion/look LUT if you know the source profile.
Rec.709 creative LUTs	Yes	Best LUT path today. Use project-local 3D `.cube` files.
Camera conversion LUTs	Partial	Technically accepted if they are supported 3D `.cube` files, but correctness depends on the source footage matching the LUT’s expected input color space.
Full-scene grading including text/DOM	Not yet	Color Grading is media-only. Captions, text, SVG, and regular DOM overlays stay unchanged.
Remote media URLs	Partial	WebGL pixel processing requires compatible CORS headers. Project-local assets are the reliable path.
Professional ACES/OCIO/HDR finishing	Not yet	Future render/color-management work, not this Studio shader path.

How It Works

Color grading is stored on media elements as data-color-grading:

index.html

<video
  id="hero-video"
  src="assets/hero.mp4"
  data-start="0"
  data-duration="6"
  muted
  playsinline
  data-color-grading='{
    "preset":"clean-studio",
    "intensity":0.85,
    "adjust":{
      "exposure":0.05,
      "contrast":0.08,
      "highlights":-0.08,
      "shadows":0.06,
      "vibrance":0.04,
      "saturation":0.04
    },
    "details":{
      "vignette":0.08,
      "vignetteFeather":0.72,
      "grain":0.12,
      "grainSize":0.25,
      "grainRoughness":0.55
    },
    "effects":{
      "blur":0.08
    },
    "colorSpace":"rec709"
  }'
></video>

The runtime creates a sibling WebGL canvas for the media element, samples the current video or image frame, applies shader uniforms, then hides the native media only after a shader frame is ready.

Color Grading is intentionally media-only. It applies to <video> and <img> sources. Captions, text, divs, SVG, and UI graphics remain ungraded unless you render them into media first.

Project-local media is the safest path. Remote media must be served with compatible CORS headers and should use crossorigin="anonymous" when pixel processing is needed.

Data Shape

{
  "preset": "natural-lift",
  "intensity": 1,
  "adjust": {
    "exposure": 0,
    "contrast": 0,
    "highlights": 0,
    "shadows": 0,
    "whites": 0,
    "blacks": 0,
    "temperature": 0,
    "tint": 0,
    "vibrance": 0,
    "saturation": 0
  },
  "details": {
    "vignette": 0,
    "vignetteMidpoint": 0.5,
    "vignetteRoundness": 0,
    "vignetteFeather": 0.65,
    "grain": 0,
    "grainSize": 0.25,
    "grainRoughness": 0.5
  },
  "effects": {
    "blur": 0,
    "pixelate": 0
  },
  "lut": {
    "src": "assets/luts/look.cube",
    "intensity": 0.75
  },
  "colorSpace": "rec709"
}

Omit enabled; the presence of data-color-grading implies that grading is active. All numeric controls are clamped by the runtime. The current color grading path is Rec.709/sRGB-oriented and assumes browser-decoded media frames.

Custom LUTs

HyperFrames supports project-local 3D .cube LUT files:

index.html

<img
  src="assets/product.jpg"
  data-color-grading='{
    "lut":{"src":"assets/luts/product-pop.cube","intensity":0.7}
  }'
/>

Use .cube LUTs when users already have a look from another editor or camera workflow.

HyperFrames currently supports 3D .cube LUTs for this path.
3D cube LUTs up to LUT_3D_SIZE 64 are supported.
1D .cube LUTs and mixed 1D+3D LUT files are not supported yet.
Supported headers include common DOMAIN_MIN / DOMAIN_MAX and DaVinci/IRIDAS-style LUT_3D_INPUT_RANGE.
LUTs are not universal. A LUT looks correct only when the source footage roughly matches the LUT’s expected input color space.
Rec.709 creative LUTs are the safest fit today.
LOG/camera conversion LUTs can be used, but HyperFrames does not yet manage camera color profiles for you.

Render Behavior

Color Grading is part of the media runtime, so render uses the same settings as Studio preview. During render, HyperFrames injects exact video frames and asks the color-grading runtime to redraw before capture. For 4K output, use the existing 4K Rendering workflow. Color Grading can run at 4K when the composition/render surface is 4K, but a 1080p source video does not become sharper just because the final render is 4K. For HDR output, use the existing HDR Rendering workflow. Color Grading currently warns on detected HDR media, but the grading controls themselves are not HDR-aware. When grading a video, animate opacity on a wrapper element instead of directly on the <video> element. The runtime hides the native media and draws the graded result through a sibling canvas, so wrapper opacity preserves preview/render parity.

What Belongs Where

User wants	Use
Make uploaded footage look cleaner	Color Grading preset + adjust controls
Use a look from another editor	Custom 3D `.cube` LUT
Add polish to a product shot	Vignette, subtle grain, contrast, vibrance
Blur or pixelate selected media	Effects inside Color Grading
Make a presenter float over graphics	Existing Remove Background workflow
Put text behind a presenter	Existing `remove-background --background-output` workflow
Render HDR delivery files	Existing HDR Rendering workflow
Render 4K	Existing 4K Rendering workflow
Remove a person and reconstruct the room	External video inpainting, not HyperFrames background removal
Green screen keying	Preprocess with FFmpeg `chromakey` or a future HyperFrames command
Grade every pixel in the full scene including captions/DOM	Future compositor or render post-process
Professional ACES/OCIO color pipeline	Future high-fidelity color-management pipeline

Agent-Friendly Examples

For AI agents, keep the instruction declarative:

Apply a clean studio preset to assets/interview.mp4, reduce highlights slightly,
lift shadows, add subtle vignette, and keep captions ungraded.

Expected markup:

index.html

<video
  id="interview"
  src="assets/interview.mp4"
  data-start="0"
  data-duration="6"
  muted
  playsinline
  data-color-grading='{
    "preset":"clean-studio",
    "intensity":0.8,
    "adjust":{"highlights":-0.08,"shadows":0.08},
    "details":{"vignette":0.08}
  }'
></video>

Remove Background

Create transparent video/image cutouts for presenter and product overlays.

Rendering

Render transparent overlays and final MP4/WebM/MOV outputs.

HDR Rendering

Render HDR10 outputs when your project uses HDR video or image sources.

4K Rendering

Render at 4K and understand what supersampling does and does not improve.

​What Is New

​Support Matrix

​How It Works

​Data Shape

​Custom LUTs

​Render Behavior

​What Belongs Where

​Agent-Friendly Examples

​Related Guides

Remove Background

Rendering

HDR Rendering

4K Rendering

What Is New

Support Matrix

How It Works

Data Shape

Custom LUTs

Render Behavior

What Belongs Where

Agent-Friendly Examples

Related Guides