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Start with a music file—or a video whose audio should control the edit. Narration is not added; the track is the spine.

A complete music-driven film. Its sections, visual treatments, and cuts follow the track.

Make the request

Attach the track and any media that must appear:
The agent analyzes the real track before planning the cut. Mention a required section, lyric, image order, or delivery format when it cannot be chosen freely.

What should the track drive?

  • Use your photos or video — cut approved media to the track’s phrases, energy, beats, and ending.
  • Make a lyric video — verify the words first, then synchronize and design each line around the vocal.
  • Invent the visuals — build the visual arc from typography, graphic elements, and motion when no media is supplied.
A complete video can also be built entirely from type, graphic templates, and motion.

The track sets the structure

HyperFrames maps the track’s phrases, energy, onsets, silences, rolls, drops, and hard stops before it plans the visuals. A rhythmic track can support cuts on its real beat grid. Calm or loose music should flow by phrase and energy instead of forcing a cut onto every measured beat. The visual treatments change at meaningful musical moments. More beats do not automatically mean more scenes.

Review the rhythm

  • The correct section of the track is used.
  • Required media appears and lyrics match the vocal.
  • The strongest visual changes land on meaningful musical changes.
  • Important images and text remain long enough to understand.
  • The ending reaches a musical landing or forms a deliberate loop.
For direct timing control, use the Studio timeline to refine cuts, holds, and the ending against the beat markers. Ask the agent when the section, media plan, or overall treatment must change.

Finish and share

Check the final project, render through your preferred surface, and review the file.